Unfit to Print

How the Arab Spring made life even harder for foreign journalists in Cuba.

BY YOANI SÁNCHEZ | OCTOBER 17, 2011

HAVANA — The bartender winked at the reporter before saying, almost in a whisper, "You're not going to write that I told you this." And the journalist, thinking himself wise, limited himself to citing the date on which he'd talked to an economics graduate who prepared daiquiris in a Varadero hotel.

Weeks later, that same foreign correspondent learned that the bartender had been fired, suspected of collaborating with "the enemy." Meanwhile, his colleagues who continue mixing cocktails learned a permanent lesson: To give an opinion is to give yourself away. The next time some curious guy starts asking questions, they will tell him that everything's fine, that the Revolution is advancing, unstoppable.

For Cuban authorities, any foreign journalist, particularly one from a developed capitalist country, is a potential adversary. This has always been the case, but since recent events in the Middle East and North Africa, the suspicions have intensified. A complicated structure of approvals and constraints tie the hands and feet of anyone with credentials trying to report from inside the country.

The International Press Center (CPI by its Spanish initials) is the agency charged with setting limits and giving correspondents a box on the ears when they cross the line. At stake is a visa to remain in Cuba, and even apparently trivial matters: the ability to import a new car, for instance, or to acquire a home air-conditioner.

The CPI is fickle and worries about almost everything. It will rebuke reporters for straying too far from the official position -- or for coming too close to it. A few years ago a correspondent for a major international agency was called in for having included the phrase, "Cuba, the communist island," in a report. Annoyed, a CPI official, in a gesture reminiscent of the political police, rebuked the young journalist for choosing "an adjective with such a negative connotation" to describe the political system of the Caribbean country. The foreign correspondent left the interview even more confused, and only after several months and diligent effort did he manage to work his way back into favor.

YURI CORTEZ/AFP/Getty Images

 SUBJECTS:
 

Yoani Sánchez is the Havana-based author of the blog Generation Y and the recently published book Havana Real. This article was translated by Mary Jo Porter.

JAMESLIP

10:18 AM ET

October 18, 2011

Rocket

I still remember 1962, October 15 and November 1, the time period during which the missile crisis took place, six nuclear tests were made around the Johnston island region of the sea. Thesewere either Airdrop bombs (Spanish: misil) from planes or directly shot into space by a solid rocket. Scary times. I wonder how what will happen in the future. My biggest concern are the cuban people.

J.

 

HUMBERTO CAPIRO

1:14 PM ET

October 18, 2011

Cuba expells journalists at any whim!

COMMITTEE TO PROTECT JOURNALISTS: Cuba pulls veteran correspondent's credentials

New York, September 7, 2011--The Committee to Protect Journalists condemns the Cuban government's decision to not renew press credentials held by a 20-year veteran correspondent for the Spanish daily El País and radio network Cadena SER. Mauricio Vicent, whose access to official events had been restricted by the government for the past year, is now prohibited from reporting stories from Cuba, according to El País.

"Withdrawing Mauricio Vicent's press card is an act of censorship by a government that still can't stomach independent reporting," said Carlos Lauría, CPJ's senior program coordinator for the Americas. "The authorities must lift all restrictions on Vicent and renew his press credentials immediately."

Press credentials are required in order to work legally as a foreign journalist in Cuba. The official International Press Center, which is part of Cuba's Foreign Ministry, accused Vicent of violating government's ethics and objectivity regulations, according to El País. In published comments, the newspaper's editors said they "energetically reject the Cuban government's accusations" and consider Vicent's work to be an "example of professionalism, impartiality, and balance."

Vicent's plans and those of El País were not immediately clear.

The Cuban government has a record of pulling the press credentials of international correspondents who report critically about the island nation. In 2007, the authorities refused to renew the press credentials of correspondents from the Chicago Tribune, the BBC, and the Mexican daily El Universal in reprisal for their critical coverage, CPJ research shows.

More recently, the government has retaliated in other ways against international media. In January, the state television provider stopped offering CNN en Español on the service available in hotels and international business offices, according to the international press. In the months before the decision, state media criticized the network's coverage of the Cuban exile movement. In April, a state television program accused a Reuters reporter of arranging a meeting between an undercover Cuban agent and a U.S. diplomat whom it claimed was a CIA operative, The Associated Press reported. Reuters categorically denied the accusations.

The International Press Center's website states that 24 foreign correspondents now work in Cuba. As Cuba implements economic reforms and prepares to introduce high-speed Internet, freedom of expression continues to be met with a policy of repression that stifles the free flow of information, a 2011 CPJ special report found.

http://www.cpj.org/2011/09/cuba-pulls-veteran-correspondents-credentials.php

 

KUNINO

2:16 PM ET

October 18, 2011

Speak to journalists at obvious peril

The opening anecdote in this interesting story reminds me of the Western holdup nonsense from a former generation of Hollywood: bad guys would pull up a bandanna to eye level and stick up the stagecoach. The crime over, they'd leave the bandanna round their throat and visit some saloon, where nobody ever recognized their hat, their bandanna, their shirt, their vest, their gunbelt, their boots or any other damn thing. Nobody noticed that the horse at the hitching rail was the one used during the holdup, either. (Unless they recognized an almost invisible brand; the blaze on the forehead, the three white socks, these were things no character ever caught sight of.)

Semi-cunning journalists have been burning their confidential sources for generations however, because they're just as ignorant as the old Western movie directors were. Blacked out silhouettes are recognizable; street guys in cheap fancy shirts are easily found, too. Voices electronically coded to sound funny do not mask idiosyncratic breathing, and the coding can be dissolved for a few dollars by using the same kind of device used for "the disguise". Mr Sanchez' indiscreet bartender was just one more in a pretty large crowd of burned confidential journalistic informants. The reporter who described him was, of course, a heedless fool. Let's hope she or he learned not to do that again.

 

RAPH852

10:04 PM ET

October 18, 2011

rable

Thank you Mr. Sanchez for your very consistent views on Cuba. It is quite obvious to read what your underlying message is. Now FP, how about some diversity? I'm getting slightly tired of Mr. Sanchez recycling his words every two weeks and branding it as a new piece. How about someone with a different view on Cuba to spice things up. Mr Sanchez is running out of ways to reaffirm his disapproval of the current regime.

 

HUMBERTO CAPIRO

6:47 PM ET

October 19, 2011

Yoani Sanchez is a Ms. NOT a Mr.

Yoani Sanchez is a Ms. NOT a Mr.! The world has been waiting to hear from the Cuban people for over 52 years now! It has been Fidel up to now, so LIVE WITH IT!

YOUTUBE : CUBAN Documentary - "Wishes on a Falling Star"
http://www.youtube.com/watch?v=Afnx7j1m6eA&annotation_id=annotation_725071&feature=iv

Cuba, in the 50th year of the Revolution.
While the Castro brothers face their certain end, an uncertain future hangs over the island. Some people are afraid, many cannot wait, but all shudder and hope that the changes will be positive.
This documentary leads the audience through the discovery of this hope, through a tourist's camera which looks to be turned off and oblivious to the conversation at hand, yet is focused on candidly capturing each person's wishes.
There is the old guerrillero who took part in the revolution, the lady who met Che Guevara and lives thanks to the government social card, and also the young boys and girls -- those who wish to make a career within the rules, as well as those who only try to escape abroad.
Clandestine underground shops, businessmen experienced in all things illegal, dodgy pimps, mothers who force their daughters into selling their bodies -- the hidden face of the State which welcomes tourists into its luxury resorts is openly displayed beyond censorship's control.
One special guide is Yoani Sanchez, the independent blogger, a leader of the new, peaceful revolution -- the revolution of ideas. The internet is its main instrument, while the government attempts to limit computer use with any means possible in a pushing and pulling of ideals. In the interview, recorded in a secret location, the young writer speaks about her country's ruin, and where Raul's reforms have no effect on everyday life.
Castro's supporters and dissidents, young and old -- none deceive themselves that the star of the revolution will shine on for much longer. And this is what this project focuses on: the wishes on a falling star.