In Other Words

True to Life

From Vietnam to Pakistan, writers have long turned to fiction to make sense of the news, often yielding uncanny portraits of real-life war, revolution, and cultural change. Here, Foreign Policy offers a sampler of novels that could have been straight out of the newspapers -- and sometimes even made them.

Rudyard Kipling, 1901

In what is often considered his best novel, the Bombay-born Kipling unfolds the "panorama of India," as a New York Times review said at the time, exposing the forces of Hinduism and imperialism in the British-ruled subcontinent.




The Good Earth
Pearl S. Buck, 1931

For its depiction of a rural family in pre-communist China, this book won a Pulitzer, became a bestseller, and helped make Buck, who grew up in the village of Zhenjiang, the first American woman to win a Nobel Prize in literature. Some argue the novel later helped Americans empathize with their Chinese allies during World War II.




The Quiet American
Graham Greene, 1955

This novel's protagonist -- a British war correspondent in French Indochina, as Greene himself was -- clashes with an American official over a Vietnamese woman, in a narrative that presciently characterized the American presence in Vietnam. Greene, an acerbic critic of U.S. policy, was later tracked by the American government for 40 years.

The Things They Carried

Tim O'Brien, 1990

This series of linked stories about a U.S. platoon in Vietnam draws from the author's own experiences as an infantryman, revealing a narrative that a Boston Globe review called "so searing and immediate you can almost hear the choppers in the background."




The Yacoubian Building
Alaa Al Aswany, 2002

Aswany -- a dentist and writer who helped give voice to protesters in Tahrir Square last year -- won praise for this bestselling novel, a portrait of the cultural and political decay in Cairo that simmered to a boil in the recent revolution.





Pretty Birds
Scott Simon, 2005

After reporting on the Bosnian war for NPR, Simon debuted as a novelist with Pretty Birds -- the tale of a half-Muslim 16-year-old girl in war-torn Sarajevo who trains to be a sniper as her family faces ethnic persecution.





What Is the What
Dave Eggers, 2006

This chronicle of a Lost Boy's journey from war-torn Sudan to Atlanta is based on the harrowing experiences of refugee Valentino Achak Deng, who told his story to Eggers, a journalist by training.




John Updike, 2006

The plot of Updike's 22nd novel reads like any number of post-9/11 news stories, tracing an American-born Muslim teenager's alienation from his life in New Jersey and his turn toward religious fundamentalism.


In Other Words

Written on the Wall

A tumultuous year, told through the scrawls and murals of the people living through it.

When we looked for the words that mattered the most this year, the ones that kept popping up were written on walls: from Syria, where protests erupted after a group of teenagers were jailed for tagging a wall with "The People Want the Regime to End," to Tunisia, Egypt, and Libya, where caustic portraits of tumbling dictators tracked their fall from power. For this In Other Words special graffiti edition, we turned to a prominent expert on the art on its home turf: Roger Gastman, co-author of The History of American Graffiti and co-curator of the recent Los Angeles Museum of Contemporary Art exhibit, "Art in the Streets." Over the next pages, he walks us through some of 2011's most explosive expressions, seen on walls from Tripoli to Cairo to Kabul and beyond.

"For me, how I define graffiti is writing your name over and over again for the sake of fame, which started in Philadelphia in the mid- to late-1960s and in New York City and has continued and spread. When I see those political messages, I call them 'pedestrian' graffiti -- as in, I want to go write on this wall and put a message there, or I am really pissed off about these taxes or this leader doing x, y, and z or not doing x, y, and z. A lot of times these people might be artists, but they are not necessarily graffiti artists. They just see spray paint or smearing oil on a wall or whatever it is as a medium to get their message across. Often, of course, these messages have a much deeper meaning than just someone's name."

Tripoli, Libya, Sept. 1


"Racism -- like this anti-Semitic Qaddafi as moneybags -- is not really prevalent in traditional American graffiti. But if everyone's making jokes about Qaddafi and money, that's how the artist is going to paint him, because it'll get a rise out of people. Still, this is beautifully rendered by an artist. To me, this is one of the more traditional graffiti walls that you would see in any city from Paris to London to New York -- except it's in a much crazier, crazier place."

Benghazi, Libya, March 14


"Despite the swastika, I'm guessing this is meant to be humorous. When I say pedestrian graffiti, this is what I'm talking about. It is crude. At the same time, you can tell this person has done graffiti before just by the handwriting."

Benghazi, April 30


"This is real graffiti done by someone who knows what they are doing. It's just put together well. The letters have distinct styles to them, and even the handwriting at the bottom is done in a very good clear graffiti hand style."

House of Imed Trabelsi, nephew of ousted Tunisian President Zine el-Abidine Ben Ali; La Marsa, Tunisia, May 2


"These graffiti in Kabul definitely look like they're done by a traditional graffiti writer. This to me looks like someone who knows what is up with a can of paint."                

Kabul, March 28


"This is definitely done by kids who are into graffiti. You can tell by the lettering in the name 'Vince Seven' on the left side. It looks like three different people painted it. The one on the left is the best one, the most experienced."

Jerusalem, May 15


"This is probably just done with a brush. The lines don't really look like spray paint. It fits the environment. It is quiet. It's to the point. You understand what is going on. And it's probably less likely to get cleaned. The more something blends in with the environment and doesn't make a stink, the more likely it's going to stay, probably."

Twama, Libya, July 15


"This is just three cans of spray paint, a black, a green, and a white. Just one little ghosted character on the wall that shows the desperation of the place. If they would have buffed the wall and painted something big and bold and pretty, it would have livened the place up, but it wouldn't fit the surroundings."

Site of the former Chernobyl nuclear power plant; Pripyat, Ukraine, April 4


"This is freaking hilarious."

Yogyakarta, Indonesia, Jan. 25